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ACES LITE

LOOK LIBRARY 

FOR DAVINCI RESOLVE
Free and Studio

11 UNIQUE LOOKS
& more are coming

  • NEXT GENERATION LOOKS
    nothing like a LUT or a simple DCTL.
  • ACES based LMTs (Look modification transforms)
  • Done with native DaVinci tools and effects
  • Nothing to install (plugins or DCTLs or LUTs)
  • Fully parametric and customisable
  • Works with all log & raw -profiles, that are supported by DaVinci
  • Works even with HDR exports
  • Fast and easy to use
  • Feels like cheating

 

LIMITED TIME OFFER

 

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REC.709 vs LUT vs LMT

MUCH MORE THAN A LUT OR DCTL

All parametric & native tools ➕ Nothing to install ➕ Perfect for remote or client work ➕ Optical diffusion effect ➕ Local contrast -effects ➕ Local tone mapping -effects ➕ Analog grain -effect ➕ Physically accurate halation -effect

STYLISED COLOR GRADING

SYNTHETIC LOOKS

ACCURATE & BASED ON REAL FILM STOCKS

FILM EMULATIONS

CLICK AN IMAGE TO SEE IT BIGGER.

NEW LOOKS ARE COMING

SPRING-SUMMER 2025

New looks & real film emulation looks are added every few months!
 

ALL INCLUDED IN YOUR PURCHASE.

COMPARE THE LOOKS

SYNTHETIC LOOKS vs Rec.709

Rec.709 vs LOOK

CINEMODERN

A generic film look, with diffusion and grain effects. 

Rec.709 vs LOOK

NOIRCONTRAST

A black & white -look with strong emphasis on textures and grain. 

Rec.709 vs LOOK

CANDY

Soft saturated look, that is heavily inspired by Wes Anderson. Looks like candy, but can be easily modified to look more professional.

Rec.709 vs LOOK

BOLDGOLD

Build on top of the Gold 200 film developed to look bold and high contrast. Gives you a analog photo look with a punch.

Rec.709 vs LOOK

WARMTONE

Very warm and soft look, that works when you want to add a bit (a lot) of vintage warm to your footage.

COMPARE THE EMULATIONS

FILM EMULATION vs REAL FILM

Rec.709 vs EMULATION vs REAL FILM

Kodak Vision3
250D & 500T

The color film stocks of famous movies.

  • Interstellar (2014)
  • Dunkirk (2017)
  • Tenet (2020)
  • Oppenheimer (2023)

And so many more...

Rec.709 vs EMULATION vs REAL FILM

Kodak Double-X

The go to B&W film stock of Hollywood.

  • Raging Bull (1980)
  • Schindler’s List (1993)
  • Casino Royale (2006)
  • Oppenheimer (2023)

And so many more...

Rec.709 vs EMULATION vs REAL FILM

Kodak Ektra 100

A vibrant photography film stock, introduced in 2008. Known for it's super fine grain and really nice colors. My favourite photography film stock.

Rec.709 vs EMULATION vs REAL FILM

Kodak Portra 400

A professional color negative film, introduced in 1998. Known for its natural skin tones, wide dynamic range, and fine grain.

Rec.709 vs EMULATION vs REAL FILM

Kodak Gold 200

A consumer-grade color negative film, introduced in the 1980s. Known for its warm tones and slight grain. Gives you nostalgic look, like old family photos of times you never saw.

COMPARE HDR REC.709 vs ANALOG ARTEFACTS

INCLUDES ANALOG ARTEFACT -TOOLS

TOOLS FOR REALISTIC

FILM EFFECTS

Analog Artefacts is a tool box of effect presets to add realistic analog film effects to your videos.

You can add and edit each individual effect individually.

COMPARE HDR REC.2020 vs HDR EMULATION

SUPPORTS HDR WORKFLOWS

⚠ ABOVE comparison only works AS HDR on supported browsers (Chrome) & when viewed on a HDR monitor.

NODE BASED
ACES Color managments

This workflow assume you do your own color managment, instead of using any of the Color managed workflows in DaVinci Resolve. BUT it's really easy to learn to do node based color management and there are tutorials inside this product for that.

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ACES LITE

LOOK LIBRARY 

ACES LITE - LOOK LIBRARY

INSTANT ACCESS

  •   7 ready looks NOW... more are coming.
  •   Updates included in the price

LIMITED TIME OFFER
50€ OFF

 

75€ 125€

 

TIME LEFT:

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ANY QUESTIONS?

Ask and I'll reply in few minutes or as soon as I can.

FOR DAVINCI RESOLVE
Free and Studio

 

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WHO IS CREATING THE LOOK LIBRARY?

HI, I'M JOONAS!

I have more than a decade of experience with video production and thousands of hours spent understanding and playing with color.

I'm not the world leading color scientist or a hollywood level master colorist, but I might just be the best person to teach you how to make your videos look like movies.

I'm happy to help and answer any of your questions about this course or color grading in general.

ACES LITE - DISCLAIMER

Aces is a color encoding system developed by the Academy of Motion Picture Arts and Sciences. Aces Lite is a color grading workflow that uses part of the Aces system. Aces and Aces Lite are two different things. Aces Lite workflow is developed by me and I'm not associated with the Academy.